1.5K
Followers
4
Following
14.6K
Likes
ID:lionthiago_.Male
Músico baterista, Produtor Musical e Cultural, Sideman e Advogado. Meu e-book 👇🏻 https://go.hotmart.com/K100537056M
Follow
All playlists · Total 57
2
. 🇺🇸 Whitney Houston Challenge Song: I Will Always Love You My student @odin and I took on this challenge together. It’s very important to pay close attention to the counting and focus on keeping a steady pulse — without rushing or dragging — so everything works out in this part of the song. Did you like it?!
4
. 🇺🇸 DRUM TIPS 189 Thirty-Second Note Fill Playing thirty-second notes while alternating between the snare drum (left hand), floor tom (right hand), and bass drum (heel-toe technique). Rhythmic pattern: ||: SN/FT KK SN/FT SN/FT SN/FT KK SN/FT SN/FT SN/FT KK SN/FT SN/FT SN/FT KK SN SN SN SN :|| NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?!
2
. 🇺🇸 DRUM TIPS 191 CONDITIONING Applying sixteenth-note licks using two hand strokes plus two strokes with the right foot. Rhythmic pattern: ||: RLRK RLRK RLRK RLRK :|| NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?! 🇧🇷 DICAS DE BATERIA 191 CONDICIONAMENTO Aplicando licks de semicolcheias com duas batidas de mãos + duas batidas com o pé direito.
3
. 🇺🇸 DRUM TIPS 192 Fill – Part 1 Applying linear three-note groupings over a sixteenth-note pattern. Rhythmic pattern: ||: RLRK KLRL LKRK RLRL :|| NOTE: On beats 1, 2, and 3, the hi-hat is played with the left hand. NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. 🇧🇷 DICAS DE BATERIA 192 Fill - Part 1 Aplicando grupos lineares de 3 notas sobre um grupo de semicolcheias.
4
. 🇺🇸 WARM-UP Every repetition paves the way to perfection. Muscle training is essential for achieving strong performance Thiago Leão 🇧🇷 AQUECIMENTO Toda repetição traça o caminho da perfeição. O treino muscular é essencial para a obtenção de uma boa performance. Thiago Leão. @drumbeat.produtora @powerclickofficial @viasombags
2
🇺🇸 DRUM TIPS 184 Four-Stroke Roll Performing the four-stroke roll in a different way by replacing the last left-hand note with the bass drum, adding more creativity to this type of fill. Rhythmic pattern: ||: RLR K RLR K RLR K RLR K :|| NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?!
2
. 🇺🇸 DRUM TIPS 186 Double Paradiddle – Variation 1 Performing the standard double paradiddle as a backbeat groove, always playing with the right hand (hi-hat) and right foot (bass drum) together. Rhythmic pattern: ||: RLRLRR LRLRLL RLRLRR LRLRLL :||  K. K. KK K K  K K KK K K NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?!
6
. 🇺🇸 Dynamics Can’t stop the feeling! Did you like it?! 🇧🇷 Dinâmicas Não consigo parar de sentir! Gostou?! @drumbeat.produtora @powerclickofficial @viasombags
3
. 🇺🇸 ABOUT DRUMS – PART 1 Build strong communication with your students and make good use of your free time slots. 🇧🇷 SOBRE BATERIA – PARTE 1 Crie uma comunicação forte com seus alunos e aproveite ao máximo os horários disponíveis. @drumbeat.produtora @powerclickofficial @viasombags
2
. 🇺🇸 DRUM TIPS 182 Sextuplets – Part 1 Working on sextuplet groupings on the drum set, with a strong focus on accent precision. Control, clarity, and consistency. 🥁🔥 NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be played on the floor to simulate the bass drum. Did you like it?!
2
. 🇺🇸 Ghost notes. Did you like it? 🇧🇷 Notas fantasmas. Gostou?! @drumbeat.produtora @powerclickofficial @viasombags
3
. 🇺🇸 DRUM TIPS 176 Foot Strengthening Applying a strengthening and endurance exercise for the feet using the double pedal. Rhythmic Pattern: 1° 8th notes; 2° Triplets; 3° 16th notes; 4° Sextuplets; 5° 32nd notes. NOTE: This exercise can be performed on a practice pad with the hands, and the feet can be played on the floor simulating a double pedal. Did you like it?!
2
. 🇺🇸 DRUM TIPS 179 Rhythmic Patterns Applying rhythmic patterns with the right hand over a backbeat groove, supported by a 16th-note double bass pedal foundation. Rhythmic patterns: 1. X – – – – (quarter notes) 2. – – X – (off-beat 8th note) 3. X – X – (8th notes) 4. X – X X (mixed: 8th note + 16th note) 5. X X X – (mixed: 16th notes + 8th note) 6. X X X X | X – – – (16th notes + quarter note).
21
. 🇺🇸 It’s about how I express myself on the drums to communicate with my fellow musicians and with the audience. Dis you like it?! 🇧🇷 É sobre como me expresso na bateria para me comunicar com meus parceiros de música e com o público. Gostou?! @drumbeat.produtora @gabrielleao.oficial @powerclickofficial @viasombags
2
. 🇺🇸 Interpretation. You can play drums in your own way, but your interpretation should never hurt the music. Playing drums is about knowing how to play for the music. Did you like it?! 🇧🇷 Interpretação. Você pode tocar bateria do seu jeito, mas que sua interpretação jamais prejudique a música. Tocar bateria é sobre saber tocar música. Gostou?! @drumbeat.produtora @powerclickofficial @viasombags
2
. 🇺🇸 Just playing! Play with passion, with focus, and always pay attention to the details. This mindset will make you ready for any gig! Don’t just play—aim to captivate. Your musicality makes an impact, even when you don’t realize it. Be your best! Did you like it?!
3
. 🇺🇸 DRUM TIPS 164 Fills Patterns Applying displacement-based rhythmic patterns on the drum set. Rhythmic pattern: ||: Rlrl *Lrl r*Rl rl*L :|| Snare drum ||: Rlrl *Lrl r*Rl rl*L :|| Toms + Floor Tom T1 T2 FT NOTE: This exercise can be practiced on the pad with your hands, and the right foot can be played on the floor to simulate the bass drum pedal. Did you like it?!
4
. 🇺🇸 DRUM TIPS 165 Fills in 32nd Notes Applying 32nd note rhythmic patterns based on displacement on the drum set. Rhythmic pattern: ||: RLRLKKRL RLKKRLRL KKRLRLKK SD :|| NOTE: This exercise can be practiced on the pad with the hands, and the right foot can be played on the floor simulating the bass drum pedal. Did you like it?! 🇧🇷 DICAS DE BATERIA 165 Fills em Fusas Aplicando padrões rítmicos de fusas baseados em deslocamento na bateria.
2
. 🇺🇸 DRUM TIPS 163 Accents Applying accents in different combinations over a group of sixteenth notes. Foot pattern: ||: Rlrl Rlrl Rlrl Rlrl | rLrl rLrl rLrl rLrl | rlRl rlRl rlRl rlRl | rlrL rlrL rlrL rlrL :|| NOTE: This exercise can be practiced on the pad with your hands, and the right foot can be played on the floor to simulate the bass drum pedal. Did you like it?!
2
. 🇺🇸 DRUM TIPS 162 Coordination Patterns Applying foot coordination patterns based on triplets, strengthening the ankles for the Pivot technique. Foot rhythm pattern: ||: LRR LRR LRR LRL | RLL RLL RLL RLR :|| NOTE: This exercise can be practiced on a pad with the hands, while the right foot can be performed on the floor simulating the bass drum pedal. Did you like it?! 🇧🇷 DICAS DE BATERIA 162 Padrões de Coordenação Aplicando padrões de coordenação motora nos pés baseados em tercinas
like
169
like
43
like
33
like
41
like
24
like
28
like
27
like
36
like
16
like
44
like
31
like
40
like
39
like
19
like
60
like
15
like
27
like
15
like
44
like
13
Loading
kwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwaikwai kwaikwaikwaikwaikwaikwaikwaikwaikwaikwai